Von "In God We Trust" zu "Yes We Can"

Von

Author: Sebastian Emling

Publisher: LIT Verlag Münster

ISBN: 9783643119261

Category: Political campaigns

Page: 499

View: 446

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Von
Language: de
Pages: 499
Authors: Sebastian Emling
Categories: Political campaigns
Type: BOOK - Published: 2013 - Publisher: LIT Verlag Münster

Books about Von "In God We Trust" zu "Yes We Can"
Academics, Pompiers, Official Artists and the Arrière-garde
Language: en
Pages: 255
Authors: Natalie Adamson, Toby Norris
Categories: Art
Type: BOOK - Published: 2020-06-12 - Publisher: Cambridge Scholars Publishing

Academics, Pompiers, Official Artists and the Arrière-garde: Defining Modern and Traditional in France, 1900-1960 is a collection of eight essays and a scholarly introduction by established and emerging scholars that challenges the continuing modernist slant of twentieth-century art history. The intention is not to perpetuate the vulgar opposition between avant-garde
Cezanne and the End of Impressionism
Language: en
Pages: 336
Authors: Richard Shiff
Categories: Art
Type: BOOK - Published: 2014-12-15 - Publisher: University of Chicago Press

Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his
Inside the White Cube
Language: en
Pages: 113
Authors: Brian O'Doherty
Categories: Art
Type: BOOK - Published: 1999 - Publisher: Univ of California Press

These essays explicitly confront a particular crisis in postwar art, seeking to examine the assumptions on which the modern commercial and museum gallery was based.
The Invention of the Model
Language: en
Pages: 168
Authors: Susan Waller
Categories: Art
Type: BOOK - Published: 2006 - Publisher: Ashgate Publishing, Ltd.

"This study of the artist's model in Paris between 1830 and 1870 incorporates three histories: a social history of professional models, a cultural history of models as social types, and an art history of representations of the model in elite and popular visual culture. It takes as its starting point