Beckett in Performance

Beckett in Performance

Author: Jonathan Kalb

Publisher: Cambridge University Press

ISBN: 0521423791

Category: Drama

Page: 292

View: 167

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A critical look at the work of one of the twentieth century's most influential playwrights emerges from the viewpoint of numerous Beckett actors and directors and includes the author's personal experiences as well.
Samuel Beckett's Theatre
Language: en
Pages: 192
Authors: Katharine Worth
Categories: Literary Criticism
Type: BOOK - Published: 2001 - Publisher: Oxford University Press

The critical discussion highlights the unique fusion on Beckett's stage of cosmic scenery and humorous individualism."--Jacket.
Samuel Beckett 1970-1989
Language: en
Pages: 172
Authors: Marius Buning, Sjef Houppermans
Categories: Literary Criticism
Type: BOOK - Published: 1992 - Publisher: Rodopi

Books about Samuel Beckett 1970-1989
Beckett's Laboratory
Language: en
Pages: 224
Authors: Corey Wakeling
Categories: Literary Criticism
Type: BOOK - Published: 2021-04-22 - Publisher: Bloomsbury Publishing

Offering fresh studies of Samuel Beckett in pre-production, in rehearsal, as an innovator of the script form, and as a speculative director and designer, Beckett's Laboratory reconsiders Beckett's stringent approach to stage direction through the lens of the laboratory and reveals his experimentalism with stage representation and composition. Wakeling argues
Authoring Performance
Language: en
Pages: 217
Authors: A. Sidiropoulou
Categories: Performing Arts
Type: BOOK - Published: 2011-11-16 - Publisher: Springer

A historical, theoretical, and comparative study of the emergence of the director-as-author phenomenon, posing questions of authorship and redefining the relationship between 'playwright' and the director-playwright.
Samuel Beckett's Theatre in America
Language: en
Pages: 204
Authors: N. Bianchini
Categories: Literary Criticism
Type: BOOK - Published: 2015-02-10 - Publisher: Springer

A study of the 30-year collaboration between playwright Samuel Beckett and director Alan Schneider, Bianchini reconstructs their shared American productions between 1956 and 1984. By examining how Beckett was introduced to American audiences, this book leads into a wider historical discussion of American theatre in the mid-to-late 20th century.