Chinese Lyricism

Chinese Lyricism

Author: Burton Watson

Publisher:

ISBN: OCLC:215105119

Category: Chinese poetry

Page: 232

View: 511

Download Now
Photo Poetics
Language: en
Pages: 364
Authors: Shengqing Wu
Categories: Literary Criticism
Type: BOOK - Published: 2020-12-08 - Publisher: Columbia University Press

Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered photography, a transformative technology and presumably realistic medium that reshaped seeing and representing the world? Shengqing
Chinese Lyricism
Language: en
Pages: 232
Authors: Burton Watson
Categories: Chinese poetry
Type: BOOK - Published: 1971 - Publisher:

Books about Chinese Lyricism
The Lyrical in Epic Time
Language: en
Pages: 496
Authors: David Der-wei Wang
Categories: Literary Criticism
Type: BOOK - Published: 2015-01-20 - Publisher: Columbia University Press

In this book, David Der-wei Wang uses the lyrical to rethink the dynamics of Chinese modernity. Although the form may seem unusual for representing China's social and political crises in the mid-twentieth century, Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. Wang calls attention
The Dilemma of Chinese Lyricism and the Ch'ing (Qing) Literati Novel
Language: en
Pages:
Authors: Martin W. Huang
Categories: Literary Criticism
Type: BOOK - Published: 1993 - Publisher:

Books about The Dilemma of Chinese Lyricism and the Ch'ing (Qing) Literati Novel
Intercultural Aesthetics in Traditional Chinese Theatre
Language: en
Pages: 277
Authors: Wei Feng
Categories: Performing Arts
Type: BOOK - Published: 2020-06-11 - Publisher: Springer Nature

This book traces the transformation of traditional Chinese theatre’s (xiqu) aesthetics during its encounters with Western drama and theatrical forms in both mainland China and Taiwan since 1978. Through analyzing both the text and performances of eight adapted plays from William Shakespeare, Bertolt Brecht, and Samuel Beckett, this book elaborates