Comics for a Strange World
Language: en
Pages: 208
Authors: Reza Farazmand
Categories: Humor
Type: BOOK - Published: 2017-10-24 - Publisher: Penguin

Don’t Miss Poorly Drawn Lines on Cake, airing on FX and streaming on FX on Hulu! Absurd comics for our absurd times, from the artist behind the wildly popular webcomic Poorly Drawn Lines—the perfect gift for comic book fans! In his follow up to the New York Times bestselling Poorly
Poorlier Drawn Lines
Language: en
Pages: 176
Authors: Reza Farazmand
Categories: Humor
Type: BOOK - Published: 2019-11-19 - Publisher: Penguin

Don’t Miss Poorly Drawn Lines on Cake, airing on FX and streaming on FX on Hulu! From New York Times bestselling author and artist Reza Farazmand, a new collection of absurdist, insightful comics about surviving friendships, foes, and all of life's little quirks in the age of technology. Poorlier Drawn
Poorly Drawn Lines
Language: en
Pages: 208
Authors: Reza Farazmand
Categories: Humor
Type: BOOK - Published: 2015-10-06 - Publisher: Penguin

Don’t Miss Poorly Drawn Lines on Cake, airing on FX and streaming on FX on Hulu! This New York Times bestselling collection of absurd comics is the perfect funny gift for everyone in your life. “Poorly Drawn Lines is the funniest comic I've read since The Far Side.”—Wil Wheaton, actor
City Monster
Language: en
Pages: 128
Authors: Reza Farazmand
Categories: Comics & Graphic Novels
Type: BOOK - Published: 2020-11-17 - Publisher: Penguin

Don’t Miss Poorly Drawn Lines on Cake, airing on FX and streaming on FX on Hulu! From New York Times bestselling author and artist Reza Farazmand, his first graphic novel about a young monster who moves to a big city. City Monster is set in a world of supernatural creatures
New Directions in Print Culture Studies
Language: en
Pages: 320
Authors: Jesse W. Schwartz, Daniel Worden
Categories: Literary Criticism
Type: BOOK - Published: 2022-06-16 - Publisher: Bloomsbury Publishing USA

New Directions in Print Culture Studies features new methods and approaches to cultural and literary history that draw on periodicals, print culture, and material culture, thus revising and rewriting what we think we know about the aesthetic, cultural, and social history of transnational America. The unifying questions posed and answered