Medical Storyworlds

Medical Storyworlds

Author: Elena Fratto

Publisher: Columbia University Press

ISBN: 9780231554503

Category: Literary Criticism

Page: 259

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Though often seen as scientific or objective, medicine has a fundamentally narrative aspect. Much like how an author constructs meaning around fictional events, a doctor or patient narrates the course of an illness and treatment. In what ways have literary and medical storytelling intersected with and shaped each other? In Medical Storyworlds, Elena Fratto examines the relationship between literature and medicine at the turn of the twentieth century—a period when novelists were experimenting with narrative form and the modern medical establishment was taking shape. She traces how Russian writers such as Dostoevsky, Tolstoy, and Bulgakov responded to contemporary medical and public health prescriptions, placing them in dialogue with French and Italian authors including Romains and Svevo and such texts as treatises by Paul Broca and Cesare Lombroso. In nuanced readings of these works, Fratto reveals how authors and characters question the rhetoric and authority of medicine and public health in telling stories of mortality, illness, and well-being. In so doing, she argues, they provide alternative ways of thinking about the limits and possibilities of human agency and free will. Bridging the medical humanities, European literary studies, and Slavic studies, Medical Storyworlds shows how narrative theory and canonical literary texts offer a new lens on today’s debates in medical ethics and bioethics.
Medical Storyworlds
Language: en
Pages: 259
Authors: Elena Fratto
Categories: Literary Criticism
Type: BOOK - Published: 2021-11-02 - Publisher: Columbia University Press

Though often seen as scientific or objective, medicine has a fundamentally narrative aspect. Much like how an author constructs meaning around fictional events, a doctor or patient narrates the course of an illness and treatment. In what ways have literary and medical storytelling intersected with and shaped each other? In
Narrative Medicine in Education, Practice, and Interventions
Language: en
Pages: 208
Authors: Anders Juhl Rasmussen, Anne-Marie Mai, Helle Ploug Hansen
Categories: Medical
Type: BOOK - Published: 2022-11-01 - Publisher: Anthem Press

Narrative medicine is a growing field of research and teaching. It arises from an interdisciplinary interest in person-centered medicine and is regarded as a major innovation in the medical humanities. This anthology is the first of its kind which integrates chapters on legitimizing narrative medicine in education, practice and research
Tolstoy in Context
Language: en
Pages: 622
Authors: Anna A. Berman
Categories: Literary Criticism
Type: BOOK - Published: 2022-12-31 - Publisher: Cambridge University Press

Likened to a second Tsar in Russia and attaining prophet-like status around the globe, Tolstoy made an impact on literature and the arts, religion, philosophy, and politics. His novels and stories both responded to and helped to reshape the European and Russian literary traditions. His non-fiction incensed readers and drew
Narrative Medicine
Language: en
Pages: 215
Authors: James Phelan
Categories: Literary Criticism
Type: BOOK - Published: 2022-10-27 - Publisher: Taylor & Francis

Narrative Medicine: A Rhetorical Rx rests on the principles that storytelling is central to medical encounters between caregivers and patients and that narrative competence enhances medical competence. Thus, the book's goal is to develop the narrative competence of its reader. Grounded in the rhetorical theory of narrative that Phelan has
Transfictional Character and Transmedia Storyworlds in the British Nineteenth Century
Language: en
Pages: 225
Authors: Erica Haugtvedt
Categories: Social Science
Type: BOOK - Published: 2022-12-19 - Publisher: Springer Nature

This book is a study of how transfictional and transmedia storytelling emerges in the nineteenth century and how the period’s receptive practices anticipate the receptive practices of fandom and transmedia storytelling franchises in the twentieth and twenty-first centuries. The central claim is that the serialized, periodical, and dramatic media environment