Search Results for: Pushing Past The Human In Latin American Cinema
Pushing Past the Human in Latin American Cinema
Author: Carolyn Fornoff
Publisher: SUNY Press
ISBN: 9781438484051
Category: Performing Arts
Page: 376
View: 364
Download NowLanguage: en
Pages: 376
Pages: 376
Sheds light on emergent Latin America cinema that addresses the politics of environmental destruction, the uneveness of climate change consequences, and new ways of visualizing the world beyond the human. Pushing Past the Human in Latin American Cinema brings together fourteen scholars to analyze Latin American cinema in dialogue with
Language: en
Pages: 360
Pages: 360
How do the islands and archipelagos of the New World figure in Latin American cinema? Comprising 15 essays and a critical introduction, The Film Archipelago: Islands in Latin American Cinema addresses this question by examining a series of intersections between insular spaces and filmmaking in Latin America. The volume brings
Language: en
Pages: 280
Pages: 280
Ecofictions, Ecorealities and Slow Violence in Latin America and the Latinx World brings together critical studies of Latin American and Latinx writing, film, visual, and performing arts to offer new perspectives on ecological violence. Building on Rob Nixon’s concept of "slow violence," the contributions to the volume explore processes of
Language: en
Pages: 280
Pages: 280
Mexican Literature as World Literature is a landmark collection that, for the first time, studies the major interventions of Mexican literature of all genres in world literary circuits from the 16th century forward. This collection features a range of essays in dialogue with major theorists and critics of the concept
Language: en
Pages: 232
Pages: 232
Humanists, scientists, and artists collaborate to address the disjunctive temporalities of ecological crisis In 2016, Antarctica’s Totten Glacier, formed some 34 million years ago, detached from its bedrock, melted from the bottom by warming ocean waters. For the editors of Timescales, this event captures the disjunctive temporalities of our era’s—the