The Politics of Imagination
Language: en
Pages: 194
Authors: Tara Forrest
Categories: Language Arts & Disciplines
Type: BOOK - Published: 2007 - Publisher: Transcript Verlag

This book explores Walter Benjamin, Siegfried Kracauer, and Alexander Kluge's analyses of the role that a rejuvenation in the capacity for imagination can play in encouraging us to reconceive the possibilities of the past, the present, and the future outside of the parameters of the status quo. Through a detailed
The Politics of Imagination in Benjamin, Kracauer, and Kluge
Language: en
Pages: 482
Authors: Tara Forrest
Categories: Motion pictures
Type: BOOK - Published: 2004 - Publisher:

Books about The Politics of Imagination in Benjamin, Kracauer, and Kluge
Walter Benjamin and the Aesthetics of Change
Language: en
Pages: 200
Authors: A. M. Pusca
Categories: History
Type: BOOK - Published: 2010-01-20 - Publisher: Springer

Following the spirit of Benjamin's Arcades Project, this book acts as a kaleidoscope of change in the 21st century, tracing its different reflections in the international contemporary while seeking to understand individual/collective reactions to change through a series of creative methodologies.
Walter Benjamin and the Architecture of Modernity
Language: en
Pages: 224
Authors: Andrew Benjamin, Charles Rice
Categories: Architecture
Type: BOOK - Published: 2009 - Publisher: re.press

Walter Benjamin is universally recognised as one of the key thinkers of modernity: his writings on politics, language, literature, media, theology and law have had an incalculable influence on contemporary thought. Yet the problem of architecture in and for Benjamin's work remains relatively underexamined. Does Benjamin's project have an architecture
Walter Benjamin and the Actuality of Critique
Language: en
Pages: 215
Authors: Carlo Salzani
Categories: Philosophy
Type: BOOK - Published: 2021-07-28 - Publisher: Cambridge Scholars Publishing

The striking actuality of Walter Benjamin’s work does not rest on a supposed “usefulness” of his philosophy for current concerns, but rather on the high “legibility” to which his oeuvre has come in the present. Indeed, this legibility is a function of critique, which unearths the truth-content of a work