Theatre in Market Economies

Theatre in Market Economies

Author: Michael McKinnie

Publisher: Cambridge University Press

ISBN: 9781107000391

Category: Drama

Page: 215

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Explores theatre's relationship with the market economy since the 1990s, from the Third Way to the age of austerity.
Theatre in Market Economies
Language: en
Pages:
Authors: Michael McKinnie
Categories: Drama
Type: BOOK - Published: 2021-02-04 - Publisher: Cambridge University Press

Theatre in Market Economies explores the complex relationship between theatre and the market economy since the 1990s. Bringing together research from the arts and social sciences, the book proposes that theatre has increasingly taken up the mission of the 'mixed economy' by seeking to combine economic efficiency with social security
Theatre in Market Economies
Language: en
Pages: 215
Authors: Michael McKinnie
Categories: Drama
Type: BOOK - Published: 2021-02-04 - Publisher: Cambridge University Press

Explores theatre's relationship with the market economy since the 1990s, from the Third Way to the age of austerity.
City Stages
Language: en
Pages: 193
Authors: Michael McKinnie
Categories: Social Science
Type: BOOK - Published: 2007-01-01 - Publisher: University of Toronto Press

City Stages combines primary archival research with the scholarly literature emerging from both the humanities and social sciences.
Patronage, Politics, and Literary Traditions in England, 1558-1658
Language: en
Pages: 318
Authors: Cedric Clive Brown
Categories: Authors and patrons
Type: BOOK - Published: 1993 - Publisher: Wayne State University Press

Books about Patronage, Politics, and Literary Traditions in England, 1558-1658
Glorious Causes
Language: en
Pages: 234
Authors: Julia Swindells
Categories: History
Type: BOOK - Published: 2001 - Publisher: Oxford University Press on Demand

Glorious Causes explores the politics of theatricality and the theatricality of politics in late Georgian Britain, at a time when the British nation can be described as a stage for reform. 1832 is particularly significant for legislation in relation to both the drama and the parliamentaryfranchise. In many ways, though,